24 Hours of Everything (2018) is Paula Stuttman’s and Matthew Swift’s sequel as creative collaborators to 24 Hours of Cable (1998). This incarnation of ‘24 Hours’ acknowledges the seismic change from analogue to digital that has occurred during the intervening two decades. The opportunity to utilise the redundant waiting room on platform one of Whitstable Station during the Whitstable Biennale was the perfect venue to curate an installation where their artworks would overlap and visually engage with each other. Stuttman presents shimmering and intensely produced drawings made with iridescent marker pens of disjointed bodies, political motifs and everyday references alongside Swift’s Concrete and ceramic sculptures, collages and small-scale canvases.

(click on the images to enlarge)